This is optional.Frequently Asked Questions about our Rentals Shipped upon receipt of a signed License Agreement and full payment of all invoices. Percussion (Timpani, Bass Drum, Bells, Bell Tree, Dark Gong, DX Gong, DX Synth Drums, DX Vibes/Bell, DX Vibes, DX Xylophone, Finger Cymbals, Gloackenspiel, Guiro, Hi Hat, High Skull, Marimba, Military Snare Drum, Piatti, Snare Drum, 3 Suspended Cymbals (small, med, large), Tambourine, Tenor drum, Triangle, Pedal Bass Drum, Vibes, Woodblock, Xylophone). This is optional.Ģ7 PIECE: MATERIALS GUIDE /KEYBOARD SOUNDS Shipped a minimum of 1 month before the last performance. This must be hired as a condition of the License to produce this show.ġ CD (Click Tracks for Song 02. Shipped a minimum of 3 months before the last performance. ensemble THE BALLET CHORUS OF THE OPERA STAGEHANDS POLICEMEN ATTENDANTS.ensemble characters MONSIEUR LEF'VRE – the previous owner of the Opera (spoken role) JOSEPH BUQUET – chief stagehand of the Opera (baritone/bass) MADAME FIRMIN AUCTIONEER PORTER / MARKSMAN / FOP (in “Il Muto”) DON ATTILO (in “Il Muto”)/Passarino SLAVE MASTER (in “Hannibal”) FLUNKY / STAGEHAND POLICEMAN PAGE #1, #2 (in “Don Juan Triumphant”) PORTER / CHIEF FIRE OFFICER WARDROBE MISTRESS / CONFIDANTE (in “Il Muto”) PRINCESS (in “Hannibal”) INNKEEPERS WIFE (in “Don Juan Triumphant”) TWO FIRE MARSHALS TWO EPICENCE MEN (a hairdresser and Jeweler).CHRISTINE – a chorus girl (soprano) THE PHANTOM – a composer and magician known as the Opera Ghost (baritone/tenor) RAOUL, VICOMTE de CHAGNY – patron of the Opera, childhood sweetheart of Christine (baritone/tenor) MONSIEUR FIRMIN – co-manager of the Opera (baritone) MONSIEUR ANDRA– co-manager of the Opera (baritone) CARLOTTA GIUDICELLI – the Prima Donna of the Opera (soprano) MADAME GIRY – the ballet Mistress (mezzo-soprano) UBALDO PIANGI – leading tenor of the Opera, Carlotta’s husband (tenor) MONSIEUR REYER – the chief reptiteur/director of the Paris Opera (spoken role) MEG GIRY – Madame Giry’s daughter, member of the ballet chorus, Christine’s best friend.Phantasy than a feast of illusions." Jack Tinker, Daily Mail Is simply nothing on earth to transport you so quickly or so far into Together they add up to that old magic ingredient: theatricality. "Four words sum up the unstoppable success ofĪndrew Lloyd Webber's triumphant re-working of this vintage this is as spectacular a piece of true theatre as London has seen in years." John Barber, Daily Telegraph "soaring ballads and sensational stage effects. gloriously oldįashioned romantic musical spectacle." Richard Hummler, Variety Music have been wedded to a strong story and characters.
Theīonus this time is that the glittering technical wizardry and pop-opera Theater and a high water mark in the phenomenal Lloyd Webber career. "A gorgeous operatic extravaganza that is a thrill to the blood and a sensual feast for the eye." Richard Barkley, Sunday Express
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